John Krasinski's follow-up to his “stay quiet or be eaten” hit of 2018 makes me question whether the original was actually good.

Pandemic-tinged hallucinogenic horror from Ben Wheatley, with interesting parts not quite formed into a substantial whole.

Continuing the Norman Bates story, decades later and without Hitchcock, somehow works.

Without trying to sound dramatic, movies like Zack Snyder’s Army of the Dead might pose something of an existential threat to cinema as we know it.

Taking cues from the rom-com, this is a modern rape-revenge movie set apart by its incisive script and excellent lead performance.