Paul Thomas Anderson delivers a funny, bold, and adventurous coming-of-age story concerning oddballs in California, 1973.

An inspiring biopic of the Williams sisters' journey from Compton to pro tennis under the controlling tutelege of their father.

Kenneth Branagh’s child’s eye view of The Troubles in Northern Ireland has a good message, but is less-than-good filmmaking.

Joel Coen’s adaption is a cinematic presentation of theatre, with superb image and sound.

Spielberg's remake doesn't hold a candle to the original, but the qualities of the story shine through.

Pablo Larraín's cinematic portrait of Diana, an unconventional horror film, is heart-rending, joyful, suffocating, and tense.

Ridley Scott’s medieval #MeToo drama pointedly conveys a bleak worldview, but feels unbalanced and disjointed.

Wes Anderson’s new movie, an anthology of three stories, goes for broke and makes things work (with narrative excesses).